"He looks like he's in college and everybody calls him Favs, so you're like, 'This guy can't be for real, right?' " said Ben Rhodes, another Obama speechwriter. "But it doesn't take long to realize that he's totally synced up with Obama. . . . He has access to everything and everybody. There's a lot weighing on his shoulders."
Obama sometimes jokes that Favreau is not so much a speechwriter as a mind reader. He carries Obama's 1995 autobiography, "Dreams From My Father," with him almost everywhere and has memorized most of his famous keynote speech from the 2004 Democratic National Convention. He has mastered Obama's writing style -- short, elegant sentences -- and internalized his boss's tendency toward reflection and ideological balance.
Favreau's job is "to be like a baseball umpire," one co-worker said, and perform his task so deftly that nobody notices him. He listens to Obama tell stories in his office and spins them into developed metaphors, rich in historical context. When Obama delivers a speech on the road, Favreau studies the recording and notes the points at which Obama departs from the text so he can refine the riffs and incorporate them next time.
In four years together, Obama and Favreau have perfected their writing process. Before most speeches, Obama meets with Favreau for an hour to explain what he wants to say. Favreau types notes on his laptop and takes a crack at the first draft. Obama edits and rewrites portions himself -- he is the better writer, Favreau insists -- and they usually work through final revisions together. If Favreau looks stressed, Obama sometimes reassures him: "Don't worry. I'm a writer, too, and I know that sometimes the muse hits you and sometimes it doesn't. We'll figure it out together."